Life is peppered with turning points - those ‘ah-ha’ moments, or forks in the road. In my first post I wrote about a turning point I’d had at the Wheeler Centre last year. It was when I finally realised that the traditional publishing models were floundering, and that I would need to find new ways to get my work to readers. I had sat amongst the crowd with my focus on the speakers – stalwarts from the old publishing institutions. I looked to them for direction. Now I wonder if I was looking the wrong way. Should I have been looking at the crowd instead?
Crowd-funding is what its name implies. Anyone can make a pledge (from a few dollars upwards) towards a project they’re interested in. Just about anything can constitute a project. Most of us are aware that Barak Obama used crowd funding to help fund his 2008 US presidential campaign. Some of us have performer-friends who have used crowd-funding to finance performances and CDs.
In trying to find markets for my article I had looked at community-funded reporting like spot.us and youcommnews.com (which are essentially crowd-funding initiatives). But though established writers have had success with this, I questioned the viability of Communit-funded reporting for an emerging writer. The stakes are high (often tens of thousands of dollars). Who would pledge that kind of money to an emerging writer?
Yet asking for a smaller amount through a general crowd-funding site is an idea that has legs. Toon used crowd-funding to raise money for her book of poetry, ‘Gone Dotty’. Elmo Keep successfully funded a spot on a Kiss cruise. New Matilda stayed afloat with the help of crowd-funding. More recently a campaign was undertaken to fund an online magazine-to-be matter.com that will focus on long form journalism (Crowd-funding and long form journalism = double points for this post!).
The popular crowd-funding sites include:
For now I’m going to be staring at strangers wondering what non-fiction topics they might like to fund. Meanwhile, have you had any experience with crowd-funding your long form non-fiction projects?